On the iMDB website, Nino Baragli has over two hundred credits to his
name in the editing suite, but it’s not just that he was a highly prolific
editor, but that he was a damn good one. Be it cutting as sharply as razor’s edge
on Sergio Leone pictures such as The Good, The Bad And The Ugly and Once Upon A
Time In The West, Sergio Corbucci’s Django, for comic timing with Federico
Fellini or to draw out a scene and let it linger for Pier Paolo Pasolini in
film’s such as Salo and Teorema, Baragli always adapted his work methods to
suit the aesthetic values and intentions of the filmmakers he worked with.
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